![]() ![]() Its size and weight make it a versatile option for cinematographers looking to get into cinema lenses. The DZOFilm Vespid 16mm prime lens is also very light for a cinema lens: about 2 pounds. The size also allows for cinematographers to fit into smaller spaces and more cramped conditions that may have been harder with more traditional cinema lenses. The DZOFilm Vespid 16mm is a very small lens at only 3.4 inches in length, which makes it useful for smaller camera setups and gimbals, drones, or handheld camera work. Shot on the DZOFilm Vespid 16mm lens for our episode’s short film Size At a fraction of the cost of some other cinema lenses, you can have a very capable lens that has a beautiful look. What’s nice about the DZOFilm lens is that most importantly, it’s very cost effective, especially as a cinema lens. We have previously reviewed the Laowa 12mm T/2.9 Zero-D cine lens as well, so check that out if you are so inclined. In addition to that, we also shot a fun short film entirely with the DZOFilm 16mm lens and it turned out pretty snazzy! We tested them in focus breathing, bokeh, close focus, lens flares, and sharpness. T o buy the DZOFilm Vespid 16mm lens or get a full kit use these links:įor our lens test and review, we compared the DZOFilm Vespid 16mm lens to the Laowa 12mm, and the Cooke S4 14mm. Screengrab from our short film taken with the DZOFilm Vespid 16mm lens In addition to comparing the DZOFilm Vespid 16mm lens in tests, we also used it to shoot a quick short film using just this lens, and we were impressed with the results! Check out our video to see the short we filmed. So how does this 16mm Vespid compare? Can a lens that is only $1799 stand up against cinema lenses that cost thousands of dollars more? Check out our review to see how the DZOFilm Vespid 16mm performs compared to some other popular cinema lenses. Let’s take a closer look!Īs cinema lenses, the DZOFilm Vespids are considered a budget option, but they also offer incredible value. And, the Film Jams team was lucky to get one of the very first 16mm lenses off the supply chain. (To quote Alanis Morissette: “It’s like 10,000 spoons and all ya need is a wide angle lens”). The 16mm now has filled out the wide end to complete our set. Control range : Focal length : Manual Focusġx 16mm T2.2 Cinema Prime Lens (MFT Mount)ġ6mm T2.2 MFT Mount + 6 Lens Set Hard Case (PK1074):ġx 16mm T2.2 Lens Cinema Prime Lens (MFT Mount) ( 532293)ġx CINECASEPRO CP-AIR50 6 Lens set Protection Hard Case ( PK1217)ġ6mm T2.2 MFT Mount + 8 Lens Set Hard Case (PK1239):ġx CINECASEPRO CP-AIR80 8 Lens set Protection Hard Case ( PK1215 )ġ6mm T2.2 MFT Mount + NISI 77mm Close Up Lens Kit (PK1247):ġx 16mm T2.This week on Film Jams, we’re tackling a DZOFilm Vespid 16mm lens review! We’ve been big fans of the DZOFilm Vespid prime lenses but the set had been missing a wide angle.Very long focus throw, perfect for accurately pulling focus.Focus distance and aperture marks on both sides of lens.80mm front element with 77mm Filter Thread.Fits Micro Four Third digital cameras with M43 mount.All glass and metal design for better temperature tolerance.Uses high refractive index, low dispersion glass and 4K+ resolution. ![]() Multi-layer coating to minimise flaring.Large aperture, low distortion cine lens. ![]() Suitable for cameras such as the BMPCC 4K, Zcam E2, GH5 and other MFT mount cameras. This large aperture, low distortion cine lens is a great creative tool for shooting high definition footage. It has an equivalent focal length of 32mm relative to full frame 35mm. The MEIKE 16mm T2.2 Manual Focus Cinema Prime Lens is a professional cine lens for MFT mount cameras. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |